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Harpers Ferry is a historic West Virginia city and international tourist hub. But four years ago the national park and surrounding town were devastated by the COVID-19 pandemic.
But those interviews have been a bit infrequent, and since West Virginia Day was this month (and with A Change of Tune’s second birthday on the horizon), we thought we’d do something special: 30 days, 30 brand new #WVmusic interviews that range from Morgantown alt-rockers and Parkersburg singer-songwriters to West Virginia music venues and regional artist management and beyond, all of which contribute to this state’s wild and wonderful music scene.
And today, we are chatting with a musician out of Romney/Huntington, West Virginia. By day, you might know him as Brett Fuller. But by night, you might just hear his indie dance beats as DJ Charlie Brown Superstar. So how did a West Virginian turn a beloved cartoon character into a disco-spinning DJ? Let’s find out…
How did you start playing and producing music?
I got my start at the legendary Huntington club Gumby’s in the winter of 1994. Over the years, I gradually and naturally transitioned into producing. You tend to get to the point in DJing where you tire of playing other people’s music and want to spin your own.
Where does the name Charlie Brown Superstar come from?
I was playing at The Drop Shop in Huntington, where we were running a theme night called “Dueling DJ’s”. The premise of the event was that a DJ from another club would come to our club and would “compete” with me for the crowd’s favor. It was all friendly and in good fun, but while we were preparing for the first show, the club called me and asked for a name (as I didn’t have one at the time). I had been toying with the name Charlie Brown Superstar and went with it. It’s just a play on Andrew Lloyd Webber’s Jesus Christ Superstar.
How has Charlie Brown Superstar’s sound changed over time (if at all)?
My sound changes all the time. It’s different whenever I sit down to work on something. It all depends on my mood and the vibe I’m feeling at the moment.
Where do you play in and around West Virginia (venues, festivals, etc.)?
I’ve played all over Huntington, but I have been the resident DJ at The V Club for the last decade. I’ve also played The Empty Glass, Boulevard Tavern, and Sam’s Uptown Cafe in Charleston, as well as 123 Pleasant Street in Morgantown. I will be playing The Brew Skies Festival in August.
What’s been the highlight of your musical journey?
There’s too many to single one out. I’ve had great experiences ranging from playing house parties to DJing in front of packed clubs (especially my 8-year run on Mondays at The V Club) to playing with local and national acts on bills throughout my career.
What’s it like making music in West Virginia?
I don’t know if making music in West Virginia is any different than making music wherever you are. I mostly work by myself, so I can be anywhere. I’ve worked on my stuff on a boat in Mexico, riding in cars to gigs, and in other cities and states. I think it’s different now that the internet is making the world a smaller place. It’s as easy to be influenced by someone in a small town in Australia as it is by a local musician.
Do you feel held back by being in West Virginia? Or does it feel like a musically-supportive place?
At times, both. I’ve had amazingly supportive crowds throughout my career, but I’ve also had crowds who’ve turned on me as soon as I started playing. It just depends on the atmosphere of where you are.
What, in your opinion, needs to happen in the West Virginia music scene for it to move forward?
I think it has moved forward. I’ve been involved with this scene for over twenty years, and I’ve never witnessed a time where there has been so many talented bands and musicians going at once. In the past, it always seemed like there was “one great hope” that could “make it.” Now, I feel like there are a bunch of acts that could or are already on their way.
Any words of wisdom for folks wanting to get into music?
Follow your own direction and just do what you do.
Harpers Ferry is a historic West Virginia city and international tourist hub. But four years ago the national park and surrounding town were devastated by the COVID-19 pandemic.
On this West Virginia Morning, tourists from around the world visit Harpers Ferry each year to immerse themselves in U.S. history. But the number of visitors fell in 2020, as public health restrictions ramped up nationwide. Jack Walker visited the town to learn how things have changed since the COVID-19 pandemic began.
This week's broadcast of Mountain Stage was recorded at the Lesher Center for the Arts in Walnut Creek, CA. On this episode, host Kathy Mattea welcomes GRAMMY-winning Australian rock star Colin Hay, Canadian singer-songwriter Bruce Cockburn, legendary folk and country artist Ramblin' Jack Elliott, San Francisco rocker Chuck Prophet and his band The Make Out Quartet, and folk duo The Lucky Valentines.
Across the nation, there are more and more local news deserts; communities with no local newspaper, television or radio station to cover what’s going on. When a small town paper like The Welch News in McDowell County, WV, can’t compete and shuts down, losing those local eyes and ears can affect accountability. No one is there to watch over things. Local news also provides a sense of cohesion and identity for a community. What happens when it’s gone? This story was supported by the Pulitzer Center.