Isabella Gomez Sarmiento
Isabella Gomez Sarmiento is a production assistant with Weekend Edition.
She was a 2019 Kroc Fellow. During her fellowship, she reported for Goats and Soda, the National Desk and Weekend Edition. She also wrote for NPR Music and contributed to the Alt.Latino podcast.
Gomez Sarmiento joined NPR after graduating from Georgia State University with a B.A. in journalism, where her studies focused on the intersections of media and gender. Throughout her time at school, she wrote for outlets including Teen Vogue, CNN, Remezcla, She Shreds Magazine and more.
Person Page
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Spanish musician Guitarricadelafuente discusses the making of his debut album, La Cantera, and the mix of both the ancient and the modern that's essential to his sound. -
NPR's Daniel Estrin speaks with actor Aubrey Plaza about her new thriller, "Emily The Criminal," which centers around a woman who turns to crime to pay off student loan debt.
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NPR's Daniel Estrin speaks to Elizabeth Estrada of the National Latina Institute for Reproductive Justice about the spread of abortion misinformation in the Latino community.
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Social media - yeah, we're looking at YOU, TikTok! - has accelerated trend cycles. Researcher Mandy Lee explains what that means for fashion consumption.
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NPR's Scott Simon speaks to musician Eblis Alvarez about his new album, "Meridian Brothers and El Grupo Renacimiento." It's an imaginary collaboration with a fake 1970s Colombia salsa band.
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Ayesha Rascoe speaks with Texas soul musician Micah Edwards about his standout entry to this year's Tiny Desk Contest entry.
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There's a Peruvian political scandal behind the viral "Mi Bebito Fiu Fiu" song and meme on TikTok. Journalist Diego Salazar explains.
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NPR's Ayesha Rascoe speaks with musician Wryn about their Tiny Desk Contest entries and their forthcoming album.
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Ayesha Rascoe speaks with film critic Monica Castillo about the documentary series "Menudo: Forever Young," which chronicles the rise and fall of the Puerto Rican boy band.
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The South American music joropo often deals with horses and cowboys. The Colombian band Cimarrón has made the genre more inclusive by adding Indigenous and Afro-Colombian themes and sounds.
