Is This A Snowy Wonderland Or The World Inside A Petri Dish?
Do you remember cutting paper snowflakes in school? Artist Rogan Brown has elevated that simple seasonal art form and taken it to science class.
These large-scale paper sculptures may evoke snow, but actually trade on the forms of bacteria and other organisms. The patterns may feel familiar, but also a bit alien. You're not looking at a replica of a microbe, but an interpretation of one. And that distinction, Brown says, is important.
"Both art and science seek to represent truth but in different ways," the 49-year-old artist, who lives in France, tells Shots. "It's the difference between understanding a landscape by looking at a detailed relief map and understanding it by looking at a painting by Cezanne or Van Gogh."
Brown wants to you to feel something looking at these sculptures.
Last year, he met with a group of microbiologists to plan an exhibition on the human microbiome. He became fascinated by the hidden world of microbes and the strange shapes of pathogens. He was particularly interested in humans' fear of the invisible microbiological world. That meeting led him to spend four months creating Outbreak entirely by hand .
He starts each construction by sketching detailed designs and then mocking them up in larger pen and ink drawings. Then he begins to think in 3-D. Each structure is composed of layers of paper, which are stacked using foam board spacers. This floating effect allows him to build a complex colony of organisms that appear to grow beyond the confines of their housing.
In Cut Microbe, that growth is chaotic. The whip-like appendages of the creature branch outward in an invasive way. Those legs, Brown writes on his website, were inspired by the flagella of Salmonella and E. coli, tiny appendages that help the bacteria move.
In Magic Circle, the architecture is more constructive, ordered — there are colonies of intricately shaped forms that evoke the collaborative, constructive network of a coral reef. It also evokes microbes and diatoms.
Some of Brown's work is sliced meticulously by hand using a scalpel. Others, like the one above, are also cut using a laser. The end result is a fragile paper sculpture that borrows from what we can see as well as the artistic imagination.
"We live in a world dominated by science," Brown says. "Art needs to work hard to keep up or use the language and imagery of science for its own ends."
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